mvt 1

• opening cresc into 3rd note
• no breath on 8th note rest
• bar 36 fairly short notes
• bar 37 slur 2 tongue 2
• bar 42 slur 16ths into top note, 3 legatos
• time trill as 16ths, stopping on beat 4
• no breath or movement between bar 48 and 49, maintain intensity in 49 ("I'm gonna kick your ass")
• bar 52 lyrical
• bar 64 and 66 slur 2 16ths and tongue 1st 8th
• bar 78 crec 3 long sustained quarter notes
• bar 81 slur t tongue 2 (fairly short)
• bar 82 time trill as 16ths stopping on beat 4 followed by 2 16ths
• bar 99 slur 2 tongue 2 (single tongue)bar 102 slur 16ths tongue 8ths
• no breath in ar 109 or 110
• bar 138 equal volume and size of notes, cresc lower note
• no breath 140, 142
• bar 144 use 12 fingering (fanfare mode)
• bar 152 tongue 2 slur 2-check tongue finger coordination, use 12 for E to avoid lip slur, cresc into last beat of each bar, don't move embouchure, accent beats 3 and 4

mvt 2

• bar 9 to 10 lead into
• no breath on 8th note rest in 11
• bar 12 keep up intensity to end of bar, blow down on low C pitch
• bar 14 time exactly
• bar 15 downbeat is target, hold decresc until next note
• bar 16 no rit, no decrecsc
• bar 19 cresc into note change
• bar 20 downbeat is target, no breath on 8th note rest
• slow even cresc 21-24
• bar 22-23 cresc into low note
• bar 25 no breath during 8th note rests, slight added weight to downbeats
• bar 32 lower c in pitch
• bar 24 no breath on 8th note rest
• bar 38 time exactly, blow more on c before target
• bar 39 think of d as actual target, hold decresc until after c
• bar 40 no rit, to decresc
• bar 44 long 8ths no breath
• bar 45 cresc into lower note
• last line no movement, no breath , nose breath if needed, weight on downbeats, slight ritard, last note is only an 8th

mvt 3

• this movement should be approached with a faster air stream=lighter sound
• make the Eb sound like a Bb
• lay into the pitch center
• character is determined by the bounciness of the 8th notes
• take this movement as fast as possible (single tongue)
• bar 45 carry through dotted quarter notes
• bar 49 echo
• bar 51 don't move (slur 2, tongue 2)
• bar 52 carry through (cresc) dotted quarter, keep pitch down
• bar 78 cresc
• bar 80 F, then echo
• bar 86 ornament 1/2 step down
• bar 86-89 F, bar 90-93 echo
• bar 105 bouncy 8ths
• bar 109 lyrical
• bar 125 rearticulate
• bar 155 F, 157 echo, 159 cresc to 164 F
• bar 168 all 3 statements sustain F
• bar 200 equal volume and equal length all notes
• bar 202 echo
• bar 205 8th note is short at end
• bar 210 keep same character as established
• bar 216 lyrical
• bar 219 time trill
• bar 249 cresc, any speed trill in time, tongue downbeat-legato
• bar 276 accent downbeats
• bar 291 8va cresc-carry through to end